Monday, February 22, 2010

Article on Depression Era Film from Sunday's NY Times


Click here to read this Sunday's NY Times article on the DVD release of Leo McCarey's Make Way for Tommorrow (1937). It has never been released on video until now--and now it forms the 505th film in the Criterion Collection. Please add it to the list of extra credit films that I recently passed out.

Sunday, February 21, 2010

Let Us Now Praise Famous Men Comments




Please see some of the previous posts for additional resources on Let Us Now Praise Famous Men. Describe below any aspect of the opening of the text that you find interesting. Some questions to think about: how would you describe Agee's style? How does it contrast or complement the photographs by Walker Evans? In what ways does this text break with traditional documentary aesthetics? Where does it depart from "realism"? How does Agee bring his own body and subjectivity into the text? How does he represent the poor? What are the power relationships you see in the text?

Friday, February 19, 2010

More on Depression Era Photography



Extraordinary photo essay here, featuring many of the photographs we examined in today's class.

Photo images by Dorothea Lange set to music by Bing Crosby here (YouTube)

Follow up story from one of the children in Dorothea Lange's "Migrant Mother" photograph here.

Library of Congress webpage with links to many more photographs.


Thursday, February 18, 2010

Music from the 1930s





"Pennies from Heaven": Billie Holiday video and song here.

"Strange Fruit" by Billie Holiday here.

"Brother Can You Spare a Dime?" Bing Crosby, Lyrics by Yip Harburg (YouTube). Great Tom Waits cover here.

Woodie Guthrie website here.

Lyrics for some popular songs of the Great Depression here.

Jazz during the Great Depression here (from PBS's remarkable Ken Burns Jazz series).

Agee/Walker: Let Us Now Praise Famous Men




Part of what we will discuss in class over the next few days is the "truthfulness" of "documentary" images. Please read this discussion between Errol Morris and James Curtis here.

Monday, February 15, 2010

Upcoming Readings: Let Us Now Praise Famous Men

February 17: Finish Sullivan's Travels (less than 10 minutes remaining). Discuss film and upcoming paper assignment.

February 19: Music, photography (see syllabus). Please bring your copies of Let Us Now Praise Famous Men. We will examine the prefatory material, including the photographs at the front of the text. Start reading the text, because we will be moving through it relatively quickly.

February 22: Let Us Now up to page 65, including all prefatory material

February 24: 66-193

February 26: 194-278

March 1: 279-page break on 343

March 3: to end. Paper DUE.

Hollywood in the Depression


The decade marked by the Great Depression and leading into World War II is remembered as Hollywood’s Golden Age. During this period, new genres were formed, new stars were born, and the studio system rose to mammoth status. The eight major studios, each known for its distinctive style and stars, collectively produced 95% of all American films. More than 7,500 features were released by the studios between 1930 and 1945 to eager audiences. More than 80 million people took in a least one film per week at the height of the cinema’s popularity. This period also saw the introduction of the Production Code, B-Films, and the first animated feature of Snow White.The 30s was also the decade of the sound and color revolutions and the advance of the 'talkies', and the further development of film genres (gangster films, musicals, newspaper-reporting films, historical biopics, social-realism films, lighthearted screwball comedies, westerns and horror to name a few). It was the era in which the silent period ended, with many silent film stars not making the transition to sound (e.g., Vilmy Banky, John Gilbert, and Norma Talmadge). By 1933, the economic effects of the Depression were being strongly felt, especially in decreased movie theatre attendance. Hollywood’s Golden Age began to decline in the late 1940’s due to the introduction of television, Hollywood blacklisting, and the ability of actors to become ‘free agents.’ A final blow to the industry occurred in 1948, when antitrust suits were filed against the major studios.

Click on over to this website for more information about Hollywood during the Depression.

Wednesday, February 10, 2010

Sullivan's Travels





Dear students, please note that if you are blogging for Friday, comment on the previous post on God's Little Acre. We can keep extending and fostering that discussion.

To prepare for watching Sullivan's Travels in class, please read some background on the film here and here. Read up on the director Preston Sturges here.




Monday, February 8, 2010

End of God's Little Acre



GodsLittleAcre.JPG

As you finish the book, pay special attention to Chapter XV (p. 148+). What do you make of this chapter? How does the novel continue to comment on the culture of visuality and spectacle, on "gold fever" and commodity fetishism, and on the role of sexual desire and enjoyment in the ascent of capitalism?

Comment below on ANY aspect of the text.

Society of the Spectacle: Guy Debord



Video on YouTube here.

Wednesday, February 3, 2010

God's Little Acre Continued...


God's Little Acre

Great class on Wednesday!

We've started to identify many of the tensions in the opening of Caldwell's novel: the tension between word and deed, science and superstition, women and men, action and inaction, and the town and the country. We also raised some important questions about the role of empathy in this text and the ethics of representing poverty. Keep following these issues and keeping thinking about WHY the characters act in the manners that they do.

Here are some additional links to check out:

Background from The New Georgia Encyclopedia on Caldwell and his novels.

Another trailer for the movie on YouTube.

The original song "God's Little Acre" by Joe Valino (1957)

Another clip from the film on YouTube. (with Darling Jill and the Albino)